With its audio interfaces, integrated SD stereo digital recorder, remote control software, software suite, and onboard digital FX, the Presonus StudioLive 16R mixer offers everything you could want in s piece of sound mixing equipment.
This 5-star rated StudioLive model mixer boasts exceptional sound performance as a rackmount mixer and stagebox. Therefore, you can be assured of great sounds and easy routing. For example, the number “16” attached to the Presonus StudioLive name represents the equipment’s 16 XMAX preamps. The machine is therefore used for studio purposes and for live entertainment venues as well.
When used in the studio, the Presonus StudioLive 16R offers 18-in and 18-out USB and 32-in and 32-out AVC sound interfaces. You can also make live recordings with the mixer’s onboard stereo recording feature. This rackmount mixer and stagebox allows you to tweak your sound so it is perfect, thanks to the equipment’s retro-designed EQ and compression feature on each channel. The mixer comes with wireless operation that can be linked to your smartphone or computer.
When it comes to outstanding processing and effects, you won’t be disappointed by the 16R’s offerings. For example, you can use 2 internal effects buses, each which are loaded with a combo of delays, reverbs, and other effects that can be routed through any channel. Moreover, Fat Channel processing provides vintage EQ and compressor access on each channel.
This Presonus StudioLive 16R will produce fresh and clear audio, making any live performance memorable – something that can be hard to do with older mixers. Therefore, now is the time to upgrade to a new mixer – one that will give you the advantage of producing quality sound, both in the studio and in live entertainment locales.
If you are someone who requires a mixer and stagebox that offers top-of-the-line performance, you won’t be disappoint by the 16R or similar models offered in the Presonous StudioLive line. Take the leap today and review all the StudioLive models under the Presonus brand.
